The Reticent Mrs. Shelton (Part Two)

"The more meticulously we scrutinize the documents, the more painfully do we become aware how dubious is the authenticity of historical evidence, and how untrustworthy therefore the conclusions of historians. For no matter how incontestably genuine an ancient document may be, this genuineness does not provide any guarantee as to the human validity of its contents."
-Stefan Zweig, "Mary Queen of Scotland and the Isles." Pity he never tackled writing a biography of Poe.

Clearly, there is something deeply wrong with this entire picture. During the forty years that she survived Poe, Sarah Shelton was completely mute about him, even to relatives, only breaking her silence to state that she had no important recollections of him. Then, if Valentine is to be believed, she somehow decided to honor him--and only him--with these strange, illogical revelations that were unknown to her own kin. (Another peculiarity of these "notes" is their garbled, disconnected quality--they read like confused scraps of conversation Valentine happened to eavesdrop upon. This impression is heightened when, immediately following a description of Poe's childhood friend Ebenezer Burling, Shelton is quoted as saying, "Spoke of the first Mrs. Allan in the most affectionate manner." Valentine added the parenthetical note, "This last remark I think refers to Poe." If Valentine was truly talking to her, wouldn't he know to whom she referred? And if he was unsure, why not ask her at the time?) After supposedly pouring her secret history out to him, she maintained her previous Sphinx-like silence the rest of her life, failing to either confirm or deny Valentine's account of their conversation. (Her newspaper obituaries even made a point of noting that no one ever heard her so much as speak Poe's name.)None of this fits. If it was true that she had little to say about Poe, where did Valentine's story come from, except his own desperate imagination, cobbling together bits of local gossip? (It is one of the many peculiarities of this incident that Valentine wrote out at least two versions of his Shelton interview, which contain some substantial textual differences between them.) If she wished to draw a discreet veil over her love life, why not simply say so from the beginning? If she truly granted him this interview--an interview which raises more questions than it answers--why bother maintaining her silence after it appeared in print? And if she had decided the time had come to bare her soul, why not deal directly with Ingram himself, to ensure that her relationship with Poe would be described the way she wished it to be told, instead of trusting her long-hidden confidences to be transmitted by an unreliable third-party? And if she gave this interview, either her previous declaration that she knew virtually nothing about Poe or the interview itself was a brazen lie. Either way, what does that say about Shelton's credibility? And if--as nearly everyone assumes--she lied when she denied being engaged to Poe in 1849, again, why should we trust anything in these "notes?" As the lawyers would say, falsus in uno, falsus in omnibus--"false in one, false in all."

In short, the "Valentine notes"--however you choose to look at them--are impossible to reconcile with reality.

**A footnote: "The Poe Log" described the reunion between Poe and Mrs. Shelton as having taken place in the summer of 1848. (Kenneth Silverman, taking his information from TPL, repeated this statement.) This is simply wrong. The Valentine notes make it clear that Poe's sudden reappearance in her life was in the summer of 1849. "The Poe Log" evidently made this change in chronology in order to make the Valentine/Shelton account fit in with Sarah Helen Whitman's claim that Poe told her he had considered marrying Shelton during his (very brief) visit to Richmond in 1848, but on finding that his old neighbor had become uncongenial to him, resolved to woo Whitman instead. As with so many of the stories related by "Poe's Helen," we have only her word that Poe made this odd and rather ungallant remark, and what little evidence we have directly contradicts the idea that he and Shelton had any renewal of their acquaintance before 1849. (As an aside, Maria Clemm stated years later that Poe was never in Richmond at all in 1848, and the evidence for this visit is so generally unsatisfactory that his biographer Arthur H. Quinn was tempted to agree with her!)

"The Poe Log," incidentally, did a similar juggling of dates with Mary Gove Nichols' description of a visit to Fordham late in 1846. In order to reconcile her account of Poe offering for sale a poem that is presumed to be "Ulalume" with that work's publication at the end of 1847, they give her visit a date of c. November '47. This ignores Nichols' statement that Virginia Poe was still alive at the time described. Of course, Nichols' account also conflicts with Poe's own description to George W. Eveleth of how and when he sold "Ulalume," making her story worthless as a historical source in any case.

***Another footnote: Among the items that were published in the "Century" magazine in 1903 as part of the "Poe/Chivers Papers" is the text of a hysterical letter Mrs. Shelton supposedly wrote Maria Clemm immediately after hearing of Poe's death. (The assumption is that Mrs. Clemm sent it to Chivers for his edification.) It is universally accepted as genuine by historians. However, there are reasons for doubting the authenticity of the "Chivers letter."

For one, we only have a copy among the "Chivers papers" in the Huntington Library--made allegedly by Chivers himself--of the letter. No original manuscript has ever been seen. (Although Maria Clemm told Annie Richmond that Shelton had written her about the tragedy in Baltimore, she gave no details about the letter, and as the manuscript is not extant, it is impossible to verify if the text of the letter in the "Chivers papers" matches the one sent to Mrs. Clemm.)

Even taking the view that Mrs. Shelton would have been greatly distressed at the time of writing this letter, the writing style simply does not sound like any other known letter of hers. In addition, the little evidence we have indicates that after Poe's death Mrs. Shelton immediately tried to distance herself from Mrs. Clemm, as well as anything else concerning Poe. (A few years afterward, Mrs. Clemm told Sarah Helen Whitman that she knew nothing of Mrs. Shelton's life, and even suggested that she and Poe's putative final fiancee were on hostile terms. Unfortunately, she did not say why.) Also, the description in this letter of Mrs. Shelton's final meeting with Poe, and his physical condition when they parted, directly contradicts the Valentine notes, as well as all other accounts we have of Poe's departure from Richmond. Finally, the whole history surrounding the "Poe/Chivers Papers"--as I have said before--is enough to embarrass Joseph Cosey.

The Reticent Mrs. Shelton (Part One of Two)

"In biography the truth is everything, and in auto-biography it is especially so."
-"The Business Man"

In 1874, a Richmond, VA Poe admirer named Edward V. Valentine made efforts, on behalf of biographer John Ingram, to persuade Sarah Elmira Shelton to clarify her relationship with Edgar Allan Poe. For many years, it was rumored that she had had a youthful romance with him, and that, shortly before his death, they had rekindled their old relationship and planned to marry. However, no one seemed to have any definite knowledge about this story, and Mrs. Shelton herself had yet to speak a word on the subject.

She answered Valentine's pleas for information with the simple and seemingly sincere statement (in a letter now in Richmond's Valentine Museum,) that "I am not prepared to give any information in regard to Mr. Poe's early life--we were both very young when I did know him, and the slight recollection I have of his history (at that time) will not justify any attempt that I might make, to undertake it. The meridian and latter part of his life, there are many others, who profess to know much more than I do."

That, one would think, would be that. The lady herself declared--in writing--that she barely remembered Poe in his youth, and knew scarcely anything of his adult life. However, according to Valentine, just a year after penning him these unequivocal words, Shelton granted him an exclusive interview about Poe where, in modern parlance, she sang like a canary. The notes he made of this alleged interview (now also in the Valentine Museum,) tell a disjointed, fragmentary, but quite intimate history, revealing her precocious engagement to Poe (the "notes" have her say she was "15 or 16" at the time, but in truth she would have been 14. Also, the "notes" seem to indicate that at the time of their supposed engagement, their "acquaintance" must have been only a few months old, which makes the idea of a betrothal between a sixteen-year-old boy and a girl barely into her teens seem all the more implausible.)

The "notes" say that when Poe departed for the University of Virginia, her father, objecting to the pair corresponding because of their youth, secretly intercepted Poe's letters to her. (It is not explained how she and Poe both--without so much as exchanging a word--apparently took this mutual failure to receive correspondence as a sign that their relationship was irrevocably over, why her father resorted to such cruel and unnecessary measures, or how she eventually came to discover the truth.) Then, in the summer of 1849, by which time the pair had lost both their spouses, Poe--a stranger to her for some twenty-three years--suddenly appeared in her parlor, and after barely saying more than "hello," pressed for an immediate marriage. However, the "notes" have Mrs. Shelton declaring that this marriage never would have actually transpired.

This last statement, at least, could very well have been the truth. Poe scholars take a letter Shelton wrote Maria Clemm in late September 1849 as proof she had consented to marry Poe. However, while this letter certainly expressed fondness towards him and a desire to ingratiate herself with his aunt--a complete stranger to Shelton--she said nothing to indicate she and Poe were betrothed. Actually, Shelton's references to her jealousy when she happened to see Poe and "his lovely wife" together soon after their marriage, and her descriptions of how often and lovingly Poe talked to her of "his Virginia" seem, if anything, to argue against the idea that Poe was ardently and successfully wooing her! Poe's own letters to Mrs. Clemm during this period, if authentic, confirm Shelton's infatuation with him, but they also betray a positive distaste at the thought of wedlock with his childhood neighbor. His penultimate letter to "Muddy" even warned her not to count on getting an addition to their family, as "my heart sinks at the idea of this marriage..." (This is oddly reminiscent of his earlier recorded comment about his reputed engagement to Mrs. Whitman: "That marriage will never take place.")

In short, if you accept the testimony of the "Valentine interview," Poe was desperate to wed Mrs. Shelton as soon as possible, but she, for unspecified reasons, had strong reservations against the idea. On the other hand, the letters to Maria Clemm from both Poe and Mrs. Shelton paint Elmira as deeply enamored of her childhood friend and the assertive one in the relationship, while he is depicted as haunted by grave doubts about marrying a woman he knew he did not really love. (His qualms would not be surprising, as the little we know about Mrs. Shelton suggests a Victorian Hilda Rumpole.)

This was, after all, the man who wrote that "the mere death of a beloved wife does not imply a final separation so complete as to justify a union with another."

After these "notes"--upon which the entire history of the Poe/Shelton relationship is based--were published by Ingram, Shelton continued to maintain her old blank silence. All her family members agreed that they never heard her so much as mention Poe's name. Her granddaughter--who lived under the same roof with her--later stated that she grew up having no idea the family matriarch even knew Poe. And Mrs. Shelton failed to provide her--or anyone else--with additional details. Biographers, like nature, abhor a vacuum. As a result of this paucity of information, no relationship in Poe's life has been more exaggerated or mythologized than the "romance" with Sarah Royster Shelton, his so-called "first and last love."

J.J. Moran, the doctor who claimed to have attended Poe on his deathbed--although even that has been disputed--published an account of a call he supposedly paid to Shelton sometime before her death in 1888. According to him, he and Shelton shared an emotional and highly theatrical-sounding conversation about Poe. Unfortunately, Moran's anecdotes about his most famous patient grew increasingly colorful and fictional over the years, particularly once he hit the lecture circuit. Like so many others, he found Poe to be an irresistible cash cow. These alleged confidences of Shelton's are believed to be just one more of his fables. The same holds true for a widely-circulated 1901 article about Poe and Shelton written by a Richmond journalist named Edward Alfriend, as well as legends about the Poe/Shelton relationship promulgated by fellow Richmond folklorists Charles Marshall Graves and the ineffable, ubiquitous, reality-challenged J.H. Whitty. All these men depict Mrs. Shelton as doing little over the years except endlessly chattering about Poe to anyone who would listen--which would surely have come as a surprise to her own family. Furthermore, the stories they related (which not only contradict each other, but the Valentine notes as well,) are all so unrealistic, when they're not demonstrably untrue, (Alfriend, who claimed to know Mrs. Shelton well, even gave her first name as "Elizabeth!") that even most Poe scholars--a lot normally willing to swallow virtually anything--have treated them gingerly, relying instead on the Valentine interview.

In Part Two: More on the Shelton/Valentine interview, plus a note on why you can't blindly trust "The Poe Log."